Wednesday, January 28, 2004

tenaciously good

"With increasing frequency I dismiss as merely respectable opinions I have long held - or thought I held - and try to discern what I have really lived by, and what others live by."

Sounds like a worthwhile endeavor to me. It's from Saul Bellow's Nobel lecture from 1976. The tone of the thing is such that it could have been written yesterday. He unabashedly champions some old, perhaps unfashionable, ideas about literature, art, the self, and truth. I say hurrah. Here's some more:
The value of literature lies in these intermittent "true impressions". A novel moves back and forth between the world of objects, of actions, of appearances, and that other world from which these "true impressions" come and which moves us to believe that the good we hang onto so tenaciously - in the face of evil, so obstinately - is no illusion.
No one who has spent years in the writing of novels can be unaware of this. The novel can't be compared to the epic, or to the monuments of poetic drama. But it is the best we can do just now. It is a sort of latter-day lean-to, a hovel in which the spirit takes shelter. A novel is balanced between a few true impressions and the multitude of false ones that make up most of what we call life. It tells us that for every human being there is a diversity of existences, that the single existence is itself an illusion in part, that these many existences signify something, tend to something, fulfill something; it promises us meaning, harmony and even justice. What Conrad said was true, art attempts to find in the universe, in matter as well as in the facts of life, what is fundamental, enduring, essential.
Many thanks to Smitty for bringing this to my attention.